|
|
 |
|
Definition
-
Direct
experience refers to
built-in opportunities
for active engagement
in a learning
environment which
"decisively shape
individual
understandings" (Ewell,
1997, p.7).
When students
have little or
misconstrued knowledge
of a certain topic,
direct experience is
required to gain that
understanding and
create, change, or
refine a mental model.
These views are not
always accurate, but
may be shaped by past
experiences and may be
“difficult to break
out of even when they
are demonstrably
false” (Halpern
& Associates, as
cited in Ewell, 1997,
p. 8).
Checklist
of Observable Behaviors
-
___
1. Learning in context
(Ewell, 1997, p.8):
The student
experiences an environment
that provides an
opportunity to
acquire knowledge and
skills by directly
observing the
object or phenomenon
to be studied.
___ 2. Creating a
mental model (Ewell,
1997, p.8): The
student experiences repeatedly
similar situations,
thus
making associations between
causes and effects,
through which humans
make sense out of new
situations.
___ 3. Changing a
mental model (Ewell,
1997, p.8): The
student re-uses
existing brain
connections for new
purposes and
constructs new associations
based on the
previous patterns of expectations.
References
-
Ewell, P. T.
(1997).
Organizing
for learning: A point
of entry. Draft prepared for discussion at the 1997 AAHE Summer Academy
at Snowbird.
National Center
for Higher Education
Management Systems (NCHEMS).
Available: http://www.intime.uni.edu/model/learning/learn_summary.html
Halpern, D. F., &
Associates.
(1994).
Changing
college classrooms:
New teaching and
learning strategies
for an increasingly
complex world.
San Francisco:
Jossey- Bass.
Example
-
In
a lesson entitled
“Popcorn Poetry,”
students are asked to
creatively use their
sensorial experience
to learn abstract
concepts in poetry.
They are given
the opportunity to
directly experience
the concrete
characteristics of
popcorn such as its
smell, taste, texture,
and the sound of it
popping.
These
experiences enable the
students to compose a
poem about popcorn.
After the poems
are completed,
students will be able
to tell how each of
their senses
contributed to
identifying the
popcorn
characteristics.
The students
can also describe how
they were able to
transform their
experiences with the
popcorn into the
creative and accurate
words they used in
their writing.
Reference
Adapted
from:
-
Moran, A. Popcorn
poetry lesson
[On-line].
Available: http://www.cgocable.net/~rayser/popcorn.txt
[2000,
May 17].
|